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THE LIBRARY – Circle Theatre (general seating) – Mystery
October 28 through November 6, 2016. By Scott Z. Burns
The Library is a ‘ripped from the headlines’ new play. First produced on Broadway in 2014, The Library is the story of a girl who survives a deadly shooting at her high school and struggles to tell her story but is painted in a different light by the media when other stories take hold. Renowned Hollywood screenwriter Scott Z. Burns has created a bold and chilling play that makes us evaluate who is telling the truth and what really happened that day.

Hay Fever is a comedy by Noël Coward.
Hoping for a quiet weekend in the country with some guests, David Bliss, a novelist and his wife Judith, a retired actress, find that an impossible dream when their high-spirited children Simon and Sorel appear with guests of their own. A housefull of drama waits to be ignited as misunderstandings and tempers flare. With Judith’s new flame and David’s newest literary ‘inspiration’ keeping company as the children follow suit, the Bliss family lives up to its name as the ‘quiet weekend’ comes to an exhausting and hilarious finale worthy of Feydeau.
November 15-19

This faithful, fast-moving stage adaptation of the classic film features fluid scene changes, reasonable set requirements, and scores of beefy roles, particularly for women. It’s not only a joyful Christmas tale — it’s the gorgeous love story of George and Mary Bailey, a vivid portrait of the Greatest Generation, a descent into the darkest hour of a man trapped by circumstance, and a powerful meditation on what makes a meaningful life.

Kim’s widowed dad, John, is a grinch, and she’s decided enough is enough. She hatches a plan to break him out of his rut this Christmas and invites several unwanted guests, including John’s first love, Leslie, who he hasn’t seen in 30 years, her elderly mother and her ten-year-old niece, who seem to want to give him nothing but grief. Add Kim’s husband, Dennis, who John has never accepted, and her friends, Laney and Julie, a couple of over-the-top Christmas fanatics, and you’ve got a “Christmas to end all Christmases!” When they all get iced in together, seasonal madness ensues, and it’s a Christmas John will never forget!
Performances are 9/30, 10/1, 10/3, 10/6, 10/7, 10/8, 10/9.

Main Stage Holiday Meredith Wilson Musical December 9 through 23, 2016
The holidays sparkle with Miracle on 34th Street, The Musical, based on the 1947 film where Kris Kringle takes on the cynics and wins. Meredith Willson added music and lyrics in 1963 and called it ‘Here’s Love,’ but it wasn’t until it was revitalized in 2007 in a new production that it became a hit musical.

Direct from Russia, the classic Great Russian Nutcracker will entertain the whole family this Christmas. Experience the exceptional dancing of a company of almost 40, a 60-foot growing Christmas tree, new and spectacular hand-made costumes by Resident Designer Arthur Oliver, and stunning sets hand-painted in Russia and designed by multi-Academy Award nominee Carl Sprague. Moscow Ballet consistently garners critical acclaim for performances in cities from New York to Los Angeles!

Norman and Ethel Thayer have recently returned to spend their forty-eighth summer at their vacation home on Golden Pond in Maine. Norman is doing his best to see that the phone is in working order, while Ethel, who has been gathering firewood, is excited at having met some of the neighbors. Norman, whose memory isn’t what it once was, is about to turn eighty and seems preoccupied, albeit humorously, with the prospect of dying.

Provocative and brave, an American play on climate change.
-NY Times
Extreme Whether (“brave and pioneering”, “laced with darkness and humor” Andrew Revkin, NYTimes) had a sold-out premiere at Theater for the New City in October. Each performance was followed by a talk back (Dr. James Hansen, Dr. Jennifer Francis, Dr. Dale Jamieson, Dr. Ana Baptista and many others). Andy Revkin described the play as about the American family in our current debate. Jim Hansen said “the love of nature” the play evokes is its most important part and the “documentaries are boring, but this play really moves people.” Jennifer Francis says “it is just a most impressive play. It was wonderful as a reading. It is even more wonderful now.”

